Razatos chose to use a series of camera cars including a crane-mounted camera atop a Porsche Cayenne , which allowed him to film from a variety of angles and heights while the vehicles were in motion, and a Subaru Impreza with a steel cage built around it that allowed for tracking shots. Will the Fast and Furious team succeed in the dangerous mission with their lives and their chance to go home hanging in the balance? Things aren't as simple as that though, especially when Dom discovers that his former love Letty who he believed to be dead makes a return as the brutal and self-serving assistant of the criminal kingpin behind the organisation. With twenty-five pages of script to shoot in a limited time, cinematographer Stephen Windon and his team spent three weeks setting up a series of high-powered, motorized lights in the rafters of the building, that could be controlled remotely to allow lighting to be altered quickly while fully illuminating the set. The rebooted shows features stars from the original series, including Patrick Duffy as J. Moritz would all return to their roles for the new installment. The design team removed walls, hauled out old railway cars, suspended rusted car parts and auto-plant car rails, and constructed smaller buildings within the main building to transform the site. Morgan worked with Diesel to produce a story arc that would further explore and develop Diesel's character.
He later incorporated it into Fast Five. When DSS agent Luke Hobbs approaches Dom to ask for his help nabbing a gang of highly-trained drivers who are leaving a trail of destruction everywhere they go, Dom is less than tempted by the offer. Another vault was a reinforced, four-wheel self-drive vehicle that was connected to foot cables and dragged through the streets of San Juan by the two stunt Dodge Chargers. It has been directed by Justin Lin 'Annapolis' and written by Chris Morgan 'Cellular', 'Wanted' of the last three instalments and is scheduled to be released in the UK on May 24th In return for the capture of this gang of road miscreants, the trio are offered a full pardon for their own crimes. Establishing shots of the heist team members were taken as each arrived in Rio. To capture the scene, a foot cable-camera rig was used to allow for a fast moving, birds-eye view of the action, and cameras on cranes were set up on rooftops and in alleyways. Morgan worked with Diesel to produce a story arc that would further explore and develop Diesel's character. The earlier start in these countries was timed to coincide with their Easter holidays  and avoided competition from forthcoming summer films,  although this placed it in direct competition with Thor in some countries. However, with the stakes this high, survival becomes the most sought after prize for their latest challenge. The show acknowledged the character's passing with a memorial during the season. This franchise is more than street racing and tuner cars; it really is about this larger family and community of racers. It was unclear whether the network would continue with the rebooted series following the death of Larry Hagman J. Lin also required that the cars being carried on the train be able to jump out of the train at full speed. The scene took precise execution. The scene was considered difficult to shoot, as pathways were slippery from moist tropical heat and the scene involved actors and stunt doubles running while avoiding dogs, chickens and other stray animals loose in the area. Development[ edit ] By February 3, , it was confirmed that a fifth film, referred to as Fast Five, was going into production in the Fast and Furious series, and that a sixth film was being planned. Will the Fast and Furious team succeed in the dangerous mission with their lives and their chance to go home hanging in the balance? Navy base pier 60 miles outside San Juan stood in for the bridge for scenes involving the vault smashing cars. Can we take it out of being a pure car culture movie and into being a true action franchise in the spirit of those great heist films made 10 or 15 years ago? It was required to allow enough space for stunt drivers to drive into the building, and it had to include an integrated lighting system. This stunt was abandoned when it was determined that even the powerful Chargers would not be able to support the vault's weight. The characters were written to be equally formidable, so the fight was punctuated with moments of character development, as Moritz felt this made the fight more exciting. His team needed to alter the buildings and strew debris to make the area look disheveled and appear as a Rio shantytown. The main cast were required to travel to Rio at the behest of Lin, who felt it important to understand the area and its culture to give the film a good sense of place. Wenham had to reinforce buildings to support the heavy camera equipment, and to alter the colors of more than 30 buildings in the city to make them suitable for filming. The island's mixture of tropical greenery and wide streets allowed the production to re-create the densely populated favelas of Rio while completing the larger action and external scenes without incident.
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