The problem is that for so much of this album, the stoned out haze means she's half-slurring or crooning her lines, and not only looks sloppy, but amateurish and juvenile. This was an attempt at finding solutions to declining sales in physical albums, and Timberlake's album was among those offered in various configurations and versions. It went on to sell over three million copies in the U. Danja revealed that it "changed the whole album",  and the energy derived from the song was sustained throughout the process. Timberlake, along with Timbaland, is featured on a track called " Ayo Technology ", which was the album's fourth single. In its lifetime, NSYNC was internationally famous and performed at the Academy Awards ,  the Olympics ,  and the Super Bowl ,  as well as selling more than 70 million records worldwide, becoming the fifth-best selling boy band in history. But you could also argue that 'petz' also refers to lovers, and through most of this album Miley's trying to untangle her own emotions in faux-hippie incoherence, with probably the best example being the mostly sweet 'BB Talk' where she eventually admits her feelings and just wants the guy to stop with juvenile baby talk, which I can support.
The entire mix on the majority of this album has the sound of being half-melted in the sizzling California sun and reeking of cheap wine, really bad weed, and jizz, and the fact that nearly every single song runs long and lacks driving momentum makes it all the worse. I liked the strings on 'BB Talk', the wobbles that roil into the synth on 'Fweaky', the surprisingly well-balanced guitar lick anchoring the cascades of piano and acoustic texture on 'I Get So Scared', and the very Cyndi Lauper-inspired 'Lighter' with a deeply melodic mix and solid enough multi-tracking - even though it's hard to ignore Kesha drew influence from the exact same source three years ago with 'Past Lives' and it was a lot more coherent. It was lead single from Madonna's eleventh studio album Hard Candy , which featured four other song-writing collaborations with Timberlake, being also one of the executive producers. And folks, I tried. Both producers were "impressed" by the live band-driven late-night shows Timberlake had participated in and wanted to incorporate this in his music. Let's go far left and just see what happens. Timberlake was nominated in the categories Top Tour, Top Draw and Breakthrough Artist;  he won the latter that was announced during the awards show on November 15, For the tour, Timberlake had a horn section onstage with him called The Regiment Horns. For a solid six months on the back half of , Miley was dominant in the cultural conversation, for better or worse, and then it all fizzled out. Timberlake explains, "It's more broad as far as the styles I wanted to mix in to my own type of thing. But here's where we get to the point that legitimately pisses me off about this album, because you get songs like 'Pavlow The Blowfish' which actually got me to give a shit about her emotional investment in the loss of a fish, or 'Twinkle Song', where she tries to interpret her dreams about what love means in a way that I could be incredibly uncharitable about and cut through the faux poetry about her bending good music over the table, but there was a rawness and passion that I got behind Called "one of the most iconic musical moments in the show's history" by Billboard , it became a viral hit and one of the most viewed videos on YouTube at the time. Most of the songs' lyrics were not written down on paper,  as Timberlake believed it would only slow him down. The song "Sexy Ladies" takes on Minneapolis funk. This isn't avart-garde or genre-pushing, but a grotesquely indulgent catastrophe of a record where the moments of quality I'm convinced are here by accident, a badly mixed, sloppily performed, juvenile excuse for psychedelia that's a blemish on everyone's records. And the parallel is important here: It wasn't really that I wanted to mimic that sound. According to him, he was concerned with how they would reinvent their music. Timberlake declared in a later interview that the first time he felt confident to go solo happened after that conversation: When the deluxe edition was issued, the duet version of " Until the End of Time " was also released in the same month. I want to give it points for at least having a few good moments, but to wade through all of the shit to get to it Danja revealed that it "changed the whole album",  and the energy derived from the song was sustained throughout the process. Sure, I like more of her lower range on tracks like '1 Sun' where it sounds like she's doing a Lady Gaga impression, but the real stunner was the belting she did on 'Twinkle Song' or even the half-crying she did on 'The Floyd Song Sunrise ' or 'Pablow The Blowfish' - you might not like her shrill, ear-bleeding tones and the sloppy multitracking makes Deradoorian's elegance all the more attractive, but there is raw charisma there when she tries. So fast-forward to the annual craziness that was the VMAs, where Nicki Minaj buried the hatchet with Taylor and Kanye tried to filter through incoherent honesty Because this album is worse than reaching for transcendence and not saying much, like what happened with Deradoorian's last record, it actively pisses on the idea of having emotive sincerity altogether.
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